Showing posts with label Eleanor Vincent. Show all posts
Showing posts with label Eleanor Vincent. Show all posts

Friday, August 23, 2013

Welcome to my guest blog fest

For the next three and a half weeks I’m going to turn Choices over to the voices of other wonderful and experienced writers. I’ve asked twelve people whom I’ve either met personally or online to tell you about their lives, their writing, and their marketing experiences.

I feel so fortunate that they have agreed to be my guests and participate in this blog fest. I hope you will keep coming back to read more and more as the days go by. You’ll find the information interesting and very helpful.

Here’s my guest blog fest lineup in order of appearance:

August 24: Susan Weidener
An author, editor and former journalist with The Philadelphia Inquirer, Susan leads writing workshops and started the Women's Writing Circle, www.susanweidener.com a support and critique group for writers in suburban Philadelphia. 
August 26: Deborah Kalan
Deborah has been writing about real life since she was in the fifth grade and received a diary with lock and key for her 10th birthday. Even at that young age she found that people in ordinary situations made for intriguing writing. 
Deborah also writes poetry and fiction and finds the short short story to be one of her favorite genres.

August 28: Victoria Noe
Victoria has been a writer most of her life, but didn’t admit it until 2009. Besides her Friend Grief series, her freelance articles have appeared in Chicago Tribune and Windy City Times. She also reviews books on BroadwayWorld.com.
August 30: Ace Antonio Hall
Ace’s true labor of love is writing Zombie horror and character-driven plots featuring female protagonists. He continues to write short stories and build on the world of Sylva Slasher. Plus he loves women with gray hair.
September 3: Meryl Hartstein
Meryl is a published author, strategic life and relationship coach, celebrity confidence expert, guest speaker, and founder of “Bounce Back Women” a non-for profit organization. Her anthology in development is Bounce Back Women, comprised of stories from celebrities, Olympians and other powerful women about how they overcame adversity.
September 5: Chanel Brenner
Chanel is a writer living in Los Angeles with her husband and their five-year-old son. She is the winner of the First Annual Write Place At the Write Time poetry contest, judged by Ellen Bass, for her poem, “July 28th, 2012.” I met Chanel at a poetry workshop in May led by Richard Jones.
September 7: Eleanor Vincent
Eleanor’s memoir, Swimming with Maya: A Mother’s Story, traces the life and death of her 19-year-old daughter and the subsequent donation of Maya’s organs and tissues. Published by Dream of Things, Swimming with Maya portrays a mother’s struggle to recover after a devastating loss and shows how the bonds between donors and recipients can have a positive impact on grief recovery.
September 9: Jerry Waxler Part 1 and September 15: Jerry Waxler Part 2
Jerry traces the emergence of the Memoir Revolution through his own journey from rebellion and chaos in the 60s; from mysticism to computers in the 70s; and from receiving talk therapy to providing it in the 80s and 90s.
September 11: Sherrey Meyer
Sherrey had always dreamed of writing something other than pleadings and legal documents, anything else!  Once she retired she couldn’t stay away from the computer, and so she began to write. We hope to read her memoir very soon.
September 13: Linda Joy Myers
Linda Joy, president of the National Association of Memoir Writers, began NAMW to support other memoir writers in their quest to find their story, to find healing and hope through story. Her memoir, Don't Call Me Mother, is a must read.
September 17: Karen Levy
Born in Israel, Karen spent most of her childhood traveling between her native land and the United States. Commuting between these two countries and having a keen eye for detail have afforded Karen the knowledge necessary to recount the immigrant experience in a very candid style.
September 19: Kathy Pooler

Kathy is a writer and a retired Family Nurse Practitioner who is working on a memoir about how the power of hope through her faith in God has helped her to transform, heal and transcend life’s obstacles and disappointments: divorce, single parenting, loving and letting go of an alcoholic son, cancer and heart failure to live a life of joy and contentment.

Thank you all for being here. I'm blown away by all that I've read.

Sunday, June 16, 2013

So what’s the bottom line on the conferences?

Just a few observations after my panel appearances at the Santa Barbara Writers Conference on Tuesday, June 11 and at the Greater Los Angeles Writers Conference Friday and Saturday, June 14 and 15.

Venues: Santa Barbara was much more upscale. It was held at a lovely hotel that overlooks the beach. GLA was obviously done on a budget at LA Valley College. The meetings were held in classrooms instead of conference rooms.

Linda Joy Myers, Marla Miller, me, Eleanor Vincent

Panels: However, I think the panels went well for both. In Santa Barbara I was a panel member discussing building a platform with a master moderator, Marla Miller, presiding. At the GLA I moderated three panels: memoir, platform, and poetry. Excellent experts were on all panels so we had lively discussions and lots of questions from the audience. Since the poetry workshop was a roundtable everyone participated in a give and take discussion throughout. In the end I think we provided useful information with lots of good takeaways in everyone of the panels I participated in.

Writers Conferences Are Not Good Book Selling Opportunities: Even though conference attendees were asked to support the presenter by buying their books – since that is the only way they get paid – that really didn’t happen. I sold one book at each conference – of course two more in sales than I would have had, had I stayed home. Writers are not book buyers. At least not when they are at a conference.


Bottom Line: What I gained instead was more people knowing about my book and me. Being a conference presenter afforded me a great networking opportunity, and it added to my platform. That’s all good.  

Monday, June 3, 2013

A couple of busy weeks

My writing life is becoming very busy these days.

This week I’ll be featured on three websites:

Today my post on revision and editing is featured on She Writes where I urge writers to Make the Decision to Do the Hard Work Before You Start to Write a Book. I learned the hard way during the time I wrote and revised my memoir, so now I’m following a long arduous edit and revision process for my novel.

On Wednesday June 5, I’ll have a post about writing as healing up on Southern Writes Magazine’s Suite T blog. Here’s the link though I’ll remind you again on Wednesday. In the meantime, go over and look at my book trailer on their Must Read TV site and listen to me read a five-minute excerpt from Leaving the Hall Light On, on Take Five, presented by Southern Writers magazine.

On Friday June 7, I’m so excited to be a guest on Laura Dennis’ The Adaptable (Adopted) Expat Mommy blog. She gave me some tough questions to answer, and I hope you’ll come over and join in the conversation. Sorry this one just was postponed to Friday June 14.

Next week is also very exciting:


On Tuesday June 11 I’ll be at the Santa Barbara Writers Conference on a workshop panel led by Marla Miller, with my memoir colleagues, Eleanor Vincent, author of Swimming with Maya, and Linda Joy Myers, author of Don’t Call Me Mother. This will be the first time all three of us will be in the same real room together. Please join us at the Santa Barbara Hyatt, 1111 East Cabrillo Boulevard, Santa Barbara, from 2 to 3:30 pm, when we’ll discuss Published Authors with Sturdy Platforms: How they built them and how you can, too.


On Friday and Saturday, June 14 and 15, I’ll be at the Greater Los Angeles Writers Conference. The Conference will be held at the campus of Los Angeles Valley College, 5800 Fulton Ave, Van Nuys CA 91401, between Burbank and Oxnard Avenues.

  • Friday, I’ll moderate a panel discussion on Writing A Memoir That Readers Will Want to Buy – Other Than Your Family Members from 2 to 3 pm. I’ll also moderate the panel discussion on Why You don’t Need A Hammer to Build A Platform As A Writer from 5:45 to 6:45 pm.
  • Saturday, I’ll moderate a Poetry Roundtable discussing New Trends and Markets from 10 to 11 am.

Another bit of excitement. As of last Friday, my memoir now has 94 five-star and 21 four-star reviews. I thank you all for your kind words, and I urge any readers who liked my book to post your review on my Amazon page. Just a sentence or two would be great.  Thank you in advance for that.

Saturday, May 11, 2013

Happy rebirthing [via Eleanor Vincent]


[This is a reblog of Eleanor Vincent's post today - by permission]

I’m throwing a party for the rebirth of Swimming with Maya. Thanks to the power of networking, it has a new life as a paperback and eBook.

But in 2010, the future of my book did not look bright. Capital Books, the independent publisher that issued the hardback in 2004, was closing its doors. My beautiful book about raising daughters and rebounding after loss would be pulped.

I tried everything I could think of to sell the remaining hardback copies – and had some success. But even if I sold them all, the book would still slowly fade and die. I considered the Author’s Guild program “Back in Print” that creates print-on-demand books for authors in situations like mine. But I’d have to live with a generic book cover and format, and no marketing support for the book.

Sadly, this story is not uncommon. Small publishers close their doors with alarming frequency. And big publishers – those consolidated megaliths – can arbitrarily dump an author if sales don’t measure up.
In worst-case scenarios, authors get little or no notice. My dear friend Madeline Sharples, author of Leaving the Hall Light On, a courageous tale of resilience and recovery following the suicide of her son Paul, had recently received three days notice that her publisher was closing.

Madeline Sharples
Madeline and I met at a writing workshop at Esalen, just months after Paul’s death in 1999, and instantly connected. Over the years, we saw each other whenever we could, and stayed in touch by phone and email, becoming cheerleaders for each other’s ventures in the world of small publishing.

Madeline reached out to other writers when she learned that her book was about to go out of print. She soon connected with a small press in Chicago called 
Dream of Things that agreed to republish her memoir in paperback and eBook format. She promised to introduce me to the publisher, Mike O’Mary.

At the same time, in the spring of 2012, I had just marked the 20th anniversary of Maya’s death. As I sat under a giant California oak tree just yards from her grave, I got a strong message from Maya: “Mom, I want you to bring back our book.” Maya did not want to be forgotten, and I didn’t want her to be!

As in life, she insisted on her place in the spotlight.

That afternoon at the cemetery I made a promise to my daughter. One way or another, Swimming with Maya would be back.

Maya at age 18
A few days later, I called Madeline.

True to her word, she introduced me to Dream of Things founder Mike O’Mary, and by the fall of 2012 I had a contract. Mike worked tirelessly to reissue the book and in February of 2013, the new version was published.

Madeline and I were both born under the sign of Taurus. (My birthday is May 14, hers is May 20.) We never give up! I was with her in Los Angeles in May of 2011 for the original launch of Leaving the Hall Light On, and she will be with me on Friday, May 17, for the “Rebirthday Party” of Swimming with Maya.

Please join us at 7 pm, May 17, at Studio One Art Center, 365 45th Street, in Oakland. Or come at 5:30 pm, and join the fun at “Bites off Broadway,” showcasing amazing local food trucks, hosted by my friend Karen Hester.

Come celebrate new beginnings in life and in publishing with us!

Eleanor and Madeline

Saturday, March 16, 2013

Please welcome Eleanor Vincent, author of Swimming with Maya


I first met Eleanor Vincent, memoirist, essayist, and award winning author,  in a writing workshop at Esalen in Big Sur California. It was in December 1999, four months after my son Paul took his life. While I was just getting my writing fingers moving again. Eleanor was already writing the first parts of her wonderful memoir, Swimming with Maya: A Mother’s Story. We have been friends ever since.

And I am so pleased that Swimming with Maya was just re-released in paperback and eBook by my publisher, Dream of Things, this past February.

Join me in welcoming Eleanor Vincent to Choices as she discusses her life since Maya died, the writing of Swimming with Maya, her writing work now, and some of her favorite books, authors, and things to do on a Sunday afternoon.

MS: You have experienced one of life’s greatest tragedies. How can people who have experienced a personal tragedy find peace and meaning in daily life?

EV: I think it’s different for everyone, but in general the things that helped me most were:

  • Excellent self-care and self-nurturance – eating well, resting, getting massages and pedicures, taking time to just be and not forcing myself to do, do, do.
  • Getting support from people trained in bereavement, both psychological and spiritual. My therapist was a bereaved mother herself, so she really got it, and that was pivotal in my recovery. My spiritual mentor Rev. Margaret Stortz was also very supportive.
  • Writing was a huge piece of my recovery. I think it’s very important to have a creative outlet and that could be anything from knitting or other crafts, to painting, to making music – whatever allows you to fully express yourself and your grief.
  • Giving myself the gift of time. There’s an old bromide “Time heals,” but I don’t think the simple passage of time healed me. I had to be willing to do the work. Time just passes. In the end, I think love heals – and that could be anything you feel passionately about – over time I felt more love and less grief. I was just so grateful to have had Maya with us for almost 20 years. She was a gift. It’s important to understand that there is no such thing as “closure.” I’ll never get over losing Maya, but I’ve incorporated that loss into my life and learned to adapt to it.

MS: You wrote a beautiful memoir, Swimming with Maya, about your daughter and your experience of losing her. Tell us about that journey and who might benefit from reading your book.

EV: I think my book could benefit anyone because it’s about hope and resilience. Swimming with Maya is a love story – it’s about a young woman who loved life and a mother who loved her daughters, and lost one of them. As parents, we all have to let go of our children. When your child dies, that happens in one terrible wrenching moment. So the book is about the long journey of letting go, of healing, and of coming to terms with Maya’s sudden death. I’ve heard from many parents who have never lost a child that Swimming with Maya helped them become better parents by helping them to appreciate and treasure each moment with their child. Most of all, it’s a compelling story and, while parts are very tragic, parts are touching, or funny, or inspiring. It’s a good read, so I think anyone could relate to it on that level and benefit from it.

MS: What were some of the benefits to you in writing Swimming with Maya?

EV: At the beginning of the process, during the raw writing, I think it saved my sanity. It gave me a space and place to grapple with my feelings. As time passed, and I began revising the book and refining the way I structured it, I think it gave me a sense of control. When I lost Maya, I lost my future and my illusion that I had any control over my life. I was the mother of a gifted young actress and I counted on seeing her face on a movie screen one day. When that dream shattered, I had to create a new future, a new dream. Writing the book gave me a way to channel my dreams for Maya into a work of art that would be worthy of her, and to claim my own work in the world as a writer and an artist.

MS: You have also found a way to keep your daughter alive through organ donation. Please tell us about making the decision to donate her organs. How does that decision feel now after all these years?

EV: I recently met the daughter of the man who received Maya’s heart. Our gift to Fernando extended his life by 14 years, long enough for his daughter Olivia to graduate from high school and start her college career, all with a loving father at her side. She is so incredibly grateful that our gift as a family to her family changed all of their lives, including her brother’s and her mother’s lives, and even the lives and outlooks of extended family members. She recently had her first child, a girl, and she named the baby Maya. It is a tremendous honor to be able to participate in someone’s life that intimately, to actually change the course of a life, to save a life. Organ donation is a great privilege – it gave me hope when all hope seemed to be gone – and that continues through the years. My daughter Meghan met Olivia, and shared what it is like to become a mother, so the younger generation continues the same spirit of generosity.

MS: What should every woman know about becoming a mother beforehand?

EV: That it will be the hardest work you will ever do. That your heart will be broken in so many different ways you’ll lose count. That you will fall in love so deeply and never fall out of love no matter what your child does or says. That it will be the most fulfilling, heart warming, growth producing thing you will ever do. It will change you in ways you cannot now imagine.

MS: What is your writing life like now?

EV: I recently recovered from a pretty serious shoulder injury. During that six-month recovery period I couldn’t write at all because my shoulder was completely frozen. Even journaling for more than five minutes was impossible. So that was tough. But it taught me a great lesson – seize the moment. Put what is most important to you first on your list, not last. So I’ve begun a morning writing practice where I make writing the first thing I do. Some days it’s difficult. I show up late to work. But at least I know I’ve already done the most important thing. My writing has always been the way I supported myself – first as a journalist, and then as a corporate communications manager. When I committed myself to creative writing in my mid-40s, I had to learn to compartmentalize. I’ve always worked two jobs. The difference now is that writing is job number one. Writing is hard work, but it also brings me a lot of joy.

MS: The publishing industry is in a state of enormous flux.  What should readers expect in five to ten years?  Who will still be reading books and in what format?

EV: My two-year-old granddaughter Lucia is a dedicated reader. She has literally memorized several of her books and holds them on her lap and “reads” them with tremendous expression. She takes her favorite books to bed with her. I believe there will always be a place for books. More content will be delivered in electronic form, but many people like Lucia will continue to want to hold a printed book in their hands. As content migrates online, it draws new readers; people who perhaps did not feel books were accessible to them. Now they are. When you fall in love with a book, ultimately, you will want to hold it in your hands or give it as a gift. No one knows for certain what the future of publishing holds. But I have great hope for the future of books.


MS: Do you have a favorite author or poet?

EV: Too many to name, but here are a few. Jonathan Franzen is one of the great prose stylists working today – his novel Freedom blew me away. I love anything by Ann Patchett, particularly Bel Canto, her novel, and her memoir Truth and Beauty. I love the Turkish writer Orhan Pamuk – in particular his novel, Snow. Also Michael Ondaatje – The English Patient, Divisadero, and any of his poetry. I also love the poetry of Ellen Bass, Louise Gluck, Kay Ryan, Chana Bloch, Jorie Graham, and Robert Haas. Lastly I will mention the work of Sigrid Undset, a Norwegian writer who won the Nobel Price in 1928 for her trilogy, Kristen Lavransdatter, the most amazing book about motherhood ever written. I reread it every two years. It always makes me cry. I learn something new each time I read it. Who knew there were feminists in twelth century Norway, the time period of the novel?

MS: Do you have a favorite spiritual leader and what has been his/her influence on you?

EV: Again, there are many. Perhaps the most influential has been Shunryu Suzuki, who brought Zen practice to the West, and founded the San Francisco Zen Center. His book Zen Mind, Beginner’s Mind, profoundly affected my meditation practice.

MS: What are your favorite things to do on a Sunday afternoon?

EV: I love lazy Sunday afternoons, although perhaps what I love to do does not sound so lazy. I love to swim laps and bask in the sun. Another favorite activity is hiking in the giant redwood groves above Oakland where I live. Brunch with my daughter Meghan, her husband Todd and Lucia is another favorite Sunday activity. When Downton Abbey starts again, you’ll find me glued to the TV screen on Sunday evenings.

MS: Please add any thoughts about your life, your writing, your family that you’d like us to know.

EV: My writing seems to be reaching a new level, and I feel very happy about that. I currently have three essays out in anthologies, and each of them is a strong piece of writing in different ways. I’m currently working on a new introduction to Swimming with Maya, with the goal of bringing out an e-book and a paperback within the next several months. I have another memoir I’m working on revising – about a midlife decision to live in a cohousing community that ran off the rails with poignant and hilarious results.

I love being the mother of a fabulous daughter, and I double love being a grandmother. As Anne LaMott says, it’s the bonus round. My son-in-law has become a real son to me, and since I never had a son, that’s been wonderful. Our little family brings me great joy and the satisfaction of seeing life come full circle. My new ambition is to live long enough to see Lucia bounce my great grandchild on her knee!

Thank you so much, Eleanor for being here with me today.

Eleanor Vincent Author Bio
Eleanor Vincent’s memoir, Swimming with Maya: A Mother’s Story, traces the life and death of her 19-year-old daughter and the subsequent donation of Maya’s organs and tissues. Published in paperback and eBook by Dream of Things, Swimming with Maya portrays a mother’s struggle to recover after a devastating loss and shows how the bonds between donors and recipients can have a positive impact on grief recovery. It was a finalist for the Independent Publisher of the Year Award.
Eleanor’s essays currently appear in At The End of Life: True Stories About How we Die, edited by Lee Gutkind; This I Believe: On Motherhood; and Impact: An Anthology of Short Memoirs. Other work has appeared in The San Francisco Chronicle, The San Jose Mercury News, Five Fingers Review, The Sacramento Bee and other newspapers and magazines. Her essays, poetry and short fiction have appeared in a variety of anthologies, including The Santa Barbara Review, Across the Generations, and The Napa Review.
She is the recipient of a Community Service Award from the California Transplant Donor Network for her outreach work with organ donors and recipients. Eleanor has also been recognized for writing excellence by a Woman of Promise Award from the Feminist Writers’ Guild and a Mary Merrit Henry Award from Mills College, where she received her MFA in Creative Writing in 1995.
You can find out more about Eleanor at her website