Wednesday, April 24, 2013

Thoughts about novel beginnings


Chuck Sambuchino is always a wealth of information – about writing, about publishing, about platforms, about finding an agent. In a guest column on the Writer Unboxed website today, he quotes many agents’ thoughts about:

What Not To Do When Beginning Your Novel

I’ll just share a few quotes that resonated with me. Please go to Writer Unboxed to see the full list. I just signed up to get it regularly. You may want to as well.

“Prologues are usually a lazy way to give back-story chunks to the reader and can be handled with more finesse throughout the story. Damn the prologue, full speed ahead!”
- Laurie McLean, Foreword Literary

“The [adjective] [adjective] sun rose in the [adjective] [adjective] sky, shedding its [adjective] light across the [adjective] [adjective] [adjective] land.”
- Chip MacGregor, MacGregor Literary

“I know this may sound obvious, but too much ‘telling’ vs. ‘showing’ in the first chapter is a definite warning sign for me. The first chapter should present a compelling scene, not a road map for the rest of the book. The goal is to make the reader curious about your characters, fill their heads with questions that must be answered, not fill them in on exactly where, when, who and how.”
- Emily Sylvan Kim, Prospect Agency

“One of the biggest problems is the ‘information dump’ in the first few pages, where the author is trying to tell us everything we supposedly need to know to understand the story. Getting to know characters in a story is like getting to know people in real life. You find out their personality and details of their life over time.”
- Rachelle Gardner, Books & Such Literary

Chuck is the editor of the 2013 Guide to Literary Agents, the 2013 Children’s Writer’s & Illustrator’s Market, and author of Red Dog/Blue Dog: When Pooches Get Political, How to Survive a Garden Gnome Attack, and Create Your Writer Platform. Please go to Chuck’s website for more great information (I’ve been reading his stuff for years. I have a blog post up there too.)

Friday, April 19, 2013

A wonderful resource for all writers


The Heart and Craft of Writing Compelling Description needs a new name. It should be called “Every Writer’s Bible.” It needs to be read and reread. It needs to be carried around with you. It needs to get worn and tattered with underlines and margin notes because you keep referring to it so often.


Author Sharon M. Lippincott likes the word savor – a perfect word for this book. It’s one to be savored throughout all your writing endeavors no matter in which genre you write: nonfiction, life story, memoir, fiction. You’ll find what you’re looking for to help you write better descriptions in this book.

This wonderful resource is an anthology of Sharon Lippincott’s posts from her blog, The Heart and Craft of Life Writing. She says,

“I find the topic of writing description endlessly fascinating and will continue to explore and post about it as long as my fingers keep moving. Meanwhile, use the tips in this anthology to practice writing and stretching your imagination. Your writing will build stronger connections with readers and lift them aloft on the wings of vivid, effective description."
Other reviewers have quoted their favorite passages from this book. Here is mine from the section on looking closely:

“…if you look across an expanse of meadow, you primarily see an even green field. But drop to your knees with a magnifying glass, and look closely. You'll see blades of grass growing in different directions and an infinite variety of shades of green. Some grass is glossy and other types are a bit rough and ‘fuzzy.’ You may see clover, a few dandelions, some oxalis, or plantains. You may see buzzing bees, gnats, ants or ladybugs. Smell the scent of loam, or the cow pies nearby. Feel the sunshine on your shoulders and the coolness of the damp earth. Up close, that meadow is a busy, fascinating place, full of life, sensations and fascinating reminders to write…with scintillating description.”

Isn’t that a great word – scintillating? But I’ll bet Sharon will tell you to avoid using it when writing description. She’ll ask you to write down the details to show what you see, as she does in the paragraph above, instead of using telling descriptive words like scintillating, sparkling, amazing, awesome. In this book, she shows you how. And I predict you’ll have lots of fun learning.

I’m writing a novel now. The Heart and Craft of Writing Compelling Description will stay by my side until I’m finished.

About the author:
Sharon Lippincott is hooked on all forms of life writing, especially memoir and journaling. She’s a dedicated lifelong learner and loves sharing discoveries with others. She teaches classes and workshops on basic memoir and lifestory writing as well as specific skills like writing vivid description in the Pittsburgh area and online. Her book, The Heart and Craft of Lifestory Writing has helped thousands create written legacies of their lives and her award-winning blog, The Heart and Craft of Life Writing, which began in 2007, has been read by hundreds of thousands of visitors. She serves on the Advisory Board of the National Association of Memoir Writers and mentors lifestory writing groups in Allegheny County libraries and around the country. 

Google +: Sharon Lippincott 
LinkedIn: Sharon Lippincott 
Twitter: @ritergal 



Wednesday, April 17, 2013

Could writing help the Boston survivors?


The bombings in Boston have left me in tears. Every time I hear the news, see the photos of those who died or were wounded, I want to curl up and block it all out. It is much the way I felt after my son took his life in 1999. These kinds of tragedies bring all those sad feelings back.



Perhaps this will help. In my memoir, Leaving the Hall Light On, I told how I survived through writing. It is my belief that those who have experienced such a tragedy – and I suspect that is everyone – need to find a creative outlet. Hopefully the survivors of the Boston tragedy will also find their way.

Here’s how writing a memoir helped me heal:

Writing has been part of my life since I was in grade school. However, when my son was diagnosed with bipolar disorder and after his suicide, I began to write down my feelings daily. I needed to. Writing in my journal became an obsession, a balm, and the only way I could express my feelings. It gave me a way to organize my fears, pain, and thoughts. I had used journaling during an earlier stressful period of my life to rant. This time I turned to writing during what turned out to be the most stressful time of my life.

Three months after my son Paul’s death I also signed up for a writing class. The assignment was to bring in a journal entry to share with the class each week. At first I was afraid to put my grief out there in public. But, when I apologized for continually writing about the same subject matter – my son and his illness and death – in my assigned journal entries, my instructor said, “It took Dostoyevsky five hundred pages to write Crime and Punishment, you have a long way to go.”

This same instructor also taught me to write with a deep voice, meaning that I should share the deepest, darkest truths of my life. Come from the deepest part of your belly, he said, encouraging me to bare all my secrets in my writing. And after several years of patiently listening to my material, he told me I had to put my story into a book. He and the rest of the class felt certain there were people who needed to know my story and who could be helped by it. So I kept writing my journal entries – not only for class, not only as a comfort to myself, but also for material that I could use in creating my memoir. I also wrote poems.

About this time I met a young woman – a former literary agent – who read my poetry and some of my prose and suggested I organize my memoir based on the sequence of my poems. For a while she gave me advice and writing prompts – all useful to the content of my book. Then when I finally had a book together with each chapter starting with a poem, I hired an editor, who was a writing teacher, to read and give me comments chapter by chapter. And once I incorporated her comments into my draft, she read the book as a whole and gave me more comments. I used her comments to revise my draft again and then began querying agents and publishers. I sent out that completed draft out when one of these prospects asked to see my manuscript.

When I finally had a publishing contract I hadn’t read my manuscript in over two years. The first thing I did before embarking on the hordes of revisions I had committed to do before publication was read my memoir front to back, noting typos, repeats, inconsistencies, and most important of all, places where the information was outdated. It took me five months to complete the revisions with the help of three writer friends. I knew I was finally finished when I stopped thinking about what more I could do to it and when I felt comfortable letting it go.

Writing was my therapy. It became a habit and a huge help in getting myself out of the mire after my son’s death and the tragedy that had hit my family.

I thought if I could tell my story in the most truthful and realistic terms possible, I could help other parents with children with bipolar disorder that in many cases results in their suicide. Otherwise I felt it wouldn’t be useful to anyone – including me. 

Monday, April 15, 2013

A huge welcome to author Judy Mandel


I think I’ve found a soul mate in Judy L. Mandel, author of Replacement Child – a memoir (Seal Press/Perseus, March, 2013). Like I, Judy reinvented herself from a writer in the corporate world to a creative Writer in the last several years. So I thank WOW! Women on Writing for inviting me to host Judy on Choices and introducing me to her heartfelt and well-received memoir. 

Here’s what Judy has to say about how she found out exactly what she should do with her life.

Switching Gears to a Writer’s Life 

They say that when you find out what you should be doing with your life, you will have already been doing it. At least someone said that to me once. Which always confused the hell out of me. But, now, finally it makes sense.

I was always a writer, although now the title seems to be written with a capital “W” instead of a small one. For many years, I wrote about other people’s lives, or a company’s products. As a newspaper reporter, I found interesting stories for features—because I hated writing police reports and attending long town hall meetings. The hours were terrible, and I left to work in public relations, advertising and later, corporate marketing, thinking the stress would be less. Not so much.

It was good though. As a single mother for several years, the stability of my corporate gig helped me provide for my son and myself, buy a home, and keep him in mac and cheese. I liked a lot about the work; the spurts of creativity it allowed, and some of the great friends I met. But, the workaday world in an office, with the undercurrent politics that I had no stomach to manipulate, scraped me raw.

When I was downsized, or right sized, or whatever they were calling it that year—I took the opportunity to run fast. My son was grown and in college, and I had figured out how to provide that for him. I was married again and begged my husband for a reprieve.

“Don’t make me go back there!” I may have groveled at his feet.

I wrote up a business plan for my own marketing firm and built a roster of clients over the next year—continuing the same kind of work I had done for the last 20 years. But, my resolve shifted the year both my parents died within seven months of each other. There is something about being slapped with your own mortality that makes you take stock of your life and re-evaluate how you are spending your precious days, now that I knew for sure they were limited. I wasn’t sure that selling insurance products or the latest risk management technology was the only legacy I wanted.

Then, there was the matter of the story. The one my parents had wanted me to tell, about the plane crashing into their home, killing their seven-year-old daughter, and nearly killing their two-year-old girl. This was the defining story of my family, and the accident that happened before I was born was mythic to me. My mission was clear from the day I said my final goodbye to my mother; to tell their story of recovery from losing their child, seeing their other daughter through years of surgery and rehabilitation, and also having the hope to bring another child into the world. That would be me. I would write for two years; researching the crash, the faces of grief for the loss of a child, before I would come upon the term “replacement child” which changed the focus of the work.

Through the four years it took to write the book, I learned that I loved being in the midst of a writing project. Waking up each day with a goal to write a few good pages, or edit yesterday’s work, was the kind of adrenaline I used to seek from jumping out of airplanes or skiing (badly). Mostly, it got me out of bed early, and working late into the night at times. I cried at some memories, at my mother’s voice in my head, or the vision of my father’s eyes. Yes, it was a healing journey—cathartic in a way. But, I cringe at those proclamations—hoping my work achieves more than that.

In an effort to find a publishing home for Replacement Child, I attended several writing conferences and workshops and got hooked on being in a community of writers. It seemed to nourish a part of me that had been neglected. So, I applied for an MFA program and started going back to school in my fifties. Now, I am a fully committed and admitted writer-aholic. I can’t stop. I’m trying my hand at essays, short stories and even plays. The best part is that I don’t hesitate anymore when someone asks what I do, but proudly tell them, “I’m a writer.”

About Replacement Child – a memoir 

Judy Mandel is the replacement child for her sister who was killed in a tragic accident. It would be years before she would understand how the event, that happened before she was born, shaped her life.

A plane crashes into a family’s home. A two-year-old girl is critically burned and a mother is forced to make an impossible choice. The death of a child leaves a hole in the family that threatens to tear it apart.

In a great act of hope, the parents give birth to a "replacement child," born to heal wounds and provide a "salve for the burns." The child unwittingly plays her role throughout childhood, riding the deep and hidden currents of the family tragedy.

In this powerful story of love and lies, hope and forgiveness, Judy Mandel discovers the truth that changes her life forever and forces her to confront the complex layers of her relationships with her father, mother, and sister. When she has her own child, her epiphany comes full circle.

And what Publisher’s Weekly says about Replacement Child

"In this well-researched tribute to her parents, journalist Mandel explores how a freak accident altered the fate of her family in 1952. What began as a normal January school day ended with the crash of American Airlines Flight 6780 into the Mandel family home in Elizabeth, New Jersey, three miles outside Newark airport. In addition to the oldest Mandel daughter, the pilot and all 22 passengers died that day. Following the recent loss of her parents, the author decides to piece together the event that incinerated one sister, left another sister severely burned, and prompted her conception as a "replacement" child. By cleverly shifting between recent years and the day of the crash, Mandel weaves together chapters of real and imagined scenes building to the inevitable. "I read that replacement children often feel they can never live up to the memory of the dead children. I recognize myself in some of the descriptions of those with this affliction." Without seeking to give a greater significance to the issue, the book grapples with the random forces that shape modern life. The parents who survive and overcome the death of a child emerge as true heroes, celebrating family birthdays and, eventually, becoming grandparents."

About the author

Judy L. Mandel made her living as a marketing professional for over 20 years before writing her first book, Replacement Child. She grew up in New Jersey, but when she went to college in Connecticut, she knew she had found her home.

Her writing life began as a newspaper reporter. She later worked in public relations and advertising and somehow found herself in corporate communications at various insurance companies. Her memoir grew out of early essays and the promise she made to her family to tell their story.

Judy now balances her business writing for clients with writing fiction, nonfiction, and articles.

Follow Judy on:
Twitter:

Facebook:

Her blog:

Her book site:

Replacement Child is available at: Amazon, Barnes and Noble, and IndieBound

PS: If you are an author with a new book out, I highly recommend you contact WOW! Women on Writing about hosting your virtual book tour. Take it from me, you won't be disappointed.